Embedded in My Mind’: Why Gremlins 2: The New Batch Is My Feelgood Movie
“Well, the situation is pretty dire here. Our recommendation is all of our clients to put everything they’ve got into canned food and shotguns.” This piece of wise counsel comes from the Brain Gremlin – a genetically modified, talking, glasses-wearing member of the slick creature crowd that swarms Manhattan’s super-smart Clamp Tower skyscraper in director Joe Dante’s madcap sequel Gremlins 2: The New Batch. At first glance, it’s simply an financial suggestion from one monster to another. But, curiously, it’s also surprisingly sturdy life advice. Honestly, hear me out.
When situations deteriorate, the most counterproductive action you can do is view events with undue solemnity. The Brain Gremlin comprehends this. Indeed, the majority of the toothy monsters that occupy Dante’s wild 1990 film (debateably his greatest) possess the same sly, self-aware funny bone regarding the indistinct border separating the mundane and pure pandemonium. It’s a particular aspect of Gremlins 2: The New Batch that ensures my return – and as I age, it’s the underlying idea that resonates the most.
A Childhood Fascination
Of course, my connection with this movie wasn’t born on such an introspective level. As a child, we only had a few well-worn videocassettes at home. Part of that group were Gremlins and its sequel, the latter housed in a bulky previously-rented case almost certainly acquired from an non-chain rental store and boasting growling monsters on its worn-out artwork. I was right away smitten and these films quickly proceeded lodging themselves inside my young, susceptible psyche. From then on, they became an practically routine part of my youthful watching schedule.
Dante’s first film commonly garners all the praise, thanks primarily due to its reputation as a partly frightening holiday classic – and don’t get me wrong, I’ve watched Gremlins more times than I can count. However, its successor rarely gets the same level of lofty appreciation, which feels criminal. As a kid, I’d never miss an opportunity to watch Gremlins 2. During long summer holidays, I’d lock myself inside and stick it on. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. Gradually, it became deeply rooted in my mindset. If my parents noticed this obsession, they appeared unbothered.
Deeper Rewards and Societal Nuggets
As I got older, new revelations rewarded frequent screenings, amplifying the pleasure of watching little green monsters joyously wreck a New York high-rise. I learned the future-focused real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) alluding to his second wife Marla Maples. Thankfully, Clamp possesses greater compassion than his actual-world equivalent.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a genuine “Doomsday” video produced by the CNN boss Ted Turner should the world really ended. I noticed how Dante took extra pains to film varying versions of a meta sequence where Gremlins seize control of the exact movie you are viewing. An edit for movie houses, one for VHS and TV, each offering a winking bit of self-referential entertainment sorcery before the term was even a thing.
A Lasting Appeal
While it was makeup maestro Rick Baker’s wonderfully grotesque creatures that captured my attention as a child, this subsurface richness maintained my fascination as an adult. Ultimately, I even spoke to Dante about it myself and he had no hesitation informing me he made the movie with the specific aim of ridiculing those who loved its goofy-but-heartfelt predecessor and wanted more. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This Looney Tunes-esque defiance and commitment to not take his sequel as gravely as his Warner Bros bosses clearly wanted him to, only deepened my appreciation further.
When I experienced a abrupt familial death recently, I was surprised to find that, during my deepest grief, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Weird, right? Perhaps not. The comforting familiarity it offered was needed to thin out my mind’s mourning mire – but the perspectives it had given me as an adult were equally valuable.
Like Gremlins rampaging through a genetics laboratory, there’s particular aspects in life you just can’t control. Dante is aware of it. The Brain Gremlin shares this wisdom. Sometimes, you have to follow their example: welcome the pandemonium, invest all your resources into canned food and shotguns and try not to approach life with excessive gravity.
It’s powerful existential guidance from a very unlikely source – and it’s the reason Gremlins 2: The New Batch will eternally stand as my feelgood film.