This Drifting Excrement Was Far Too Symbolic! These Are the TV Disappointments of the Past Year.

As we reflect on the TV offerings of the recent year, a handful of shows stand out not for their excellence, but for their spectacular shortcomings. From awkward sequels to confusingly bad documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this love/hate follow-up? Burdened with dreadful scripts, painful arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the third season started, it seemed as if it had at last found its groove. Then came an installment centered on Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a bum note; the lingering shot of Miranda’s toilet flooded with poo was just way too symbolic. Yet, fans certainly had a hoot dissecting every single “what on earth?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this drama's problems. The recipient of a very rare zero star assessment, it was difficult to know where to start listing the flaws. The hilariously wooden writing? The tedious veneration of wealth and consumption? The seemingly wilful procession of tropes? Acting so bad they felt almost malicious? Let’s just say “each and every one” and never speak of this show again. However, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the legal troubles, abuse claims and parental failures, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.

The Gangster Drama

Shady figures convening in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is unfair on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s various forays into twee homemaking as intentional statements. But then you watch them and are forced to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue come to life; a poster for wine o’clock with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All underpinned by immense, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this three-part series chose not to say them. Rather, the viewing was like consuming a sales catalogue. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a sharp-tongued personality managing her estate. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The series ended up smelling of a production that was trying way too hard to emulate something far greater than it.

Too Much

How does one follow a show that captured a generation? The pressure was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very glossy and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart inclusion of talented younger comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the thought that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, slightly stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about secret services spying on – and killing off – academics frankly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for explicit exploits as she undertook her most extreme challenge yet. What on earth would possess her? What we wanted was far greater examination of her true psyche, plus those of the men in the queue. They could at least have spoken to the now-famous mum who showed up to haul her son away from the queue. What we got was horrific imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Gina Davis
Gina Davis

Eleanor is a British historian and writer specializing in UK culture and heritage.